| |

Autumn in Umbria
by Lauren
Deluca
My long-awaited trip to Italy finally happened this past
October, and it brings me great pleasure to be able to share
some of my experiences with you, my fellow wine-lovers!
I spent two weeks visiting my mother in Umbria, considered
the “green heart of Italy”. As the nickname suggests, the
region lies smack in the middle of the country, and it is
gorgeous. And in terms of greenness, Ireland’s got nothing
on Umbria! I hope this “photo-travelogue” of sorts can convey
just how magical it is there.
At the risk of sounding cliche, the countryside itself,
like most of Europe in general, has something of another
era about it; if you don’t look at the cars zipping along
the highways you could swear you were taken back in time
to medieval times. It’s overwhelmingly rural and possesses
just what the Americans have always loved about Tuscany,
except it’s not quite as well known. Dotting the landscape
are what can best be described as little jewels of towns
such as Montecastello di Vibio and Orvieto (one of the better
known ones), among others. These are tiny towns of which
all you’ll see in passing are churches, stacks of ancient
homes, and perhaps the remnants of an old fortress or a
castle. A lot of them look alike but they all seem to have
their own unique little marks, like the church might have
a dome rather than a steeple. I like to think of Umbria
as a necklace with jewels on it, lovely but tucked away
in a box in a drawer, as opposed to the necklace that is
Tuscany: also lovely but showy and always on display.
|

|
 |
| I swear this isn’t a postcard! |
Lush greenery |
 |
 |
| View from the top of a hill |
View from the car |
 |
 |
| An Umbrian village |
Legendary Todi |
 |
 |
| Remnants from another time |
Don’t you just want to lie in the
grass and roll down these hills? |
| My mother lives in Pian di
Porto, a tiny town just at the bottom of Todi, the medieval
hilltop town that has been a favorite of Americans since
the 1980s (Americans have settled in Umbria in much the
same way the British have done in Tuscany). She has just
finished renovating from the inside out an old farmhouse
that has been in her family for a several generations—a
true labor of love for the past four years. She has a
bit of vineyard land nearby and the vines are due to bear
fruit in about two years: small amounts of chardonnay,
merlot, and grechetto (a local white variety), among others.
|
 |
 |
| Mom's house |
Back of the house |
 |
 |
| Front of the house |
Stairway to the top floor |
 |
 |
| View from a hallway |
The original tower from around the
14th century that the rest of the house was built around |
 |
| Mom's vineyard in Pian
di Porto di Todi |
| I wasn’t able to travel around
the country as I had hoped. For instance, I really wanted
to see Milan (I’ve never been) as well as Turin and its
surrounding wine country in the region of Piedmont. In
the end I decided to make the most of sticking close to
home, which suited me just fine. There are so many of
these towns I mentioned throughout the region that it
doesn’t require much to see them. You can just pick a
direction, drive a few miles, and be there. |
|
Torgiano
One of these towns is Torgiano, at the
top of my list of places to see. It’d been a recent
dream of mine to visit the home of the world-famous
Lungarotti estate. Vineyards, olive groves, a winery—you
name it, they have it. It’s a haven for foodies and
winos alike. Apart from the agricultural aspect, it’s
great for those who just want to take in the postcard-pretty
scenery. Giorgio Lungarotti was an enological pioneer
in Italy in the 1960s, refusing to grow only trebbiano
and sangiovese. Instead he did his own thing and planted
French varietals to level the playing field and make
his Umbrian wine a real player in the global wine scene.
Truly a family affair, the Lungarotti Foundation includes
a wine museum, an olive and oil museum, and a world-class
luxury hotel and restaurant called Le Tre Vaselle (“the
three vessels”). The two museums were the creations
of Giorgio’s wife, Maria Grazia. Giorgio died in 1999
but the strength of the brand lives on, with his daughter
Teresa Severini at the helm.
The wine museum was fascinating. Maria
Grazia converted a 17th century mansion and filled 20
rooms with all manner of majolica pottery, old amphorae,
and Etruscan urns in addition to old wooden wine presses
and winemaking illustrations used back in B.C. times.
After the museum I and my friends Beth and Chris (who
also traveled to Italy and stayed with us) stumbled
into a Lungarotti tasting room where an American wine
tour group had just come through. Staff members were
clearing away dirty glasses, so we decided to have lunch
rather than bother them. When we had finished we realized
it was still siesta hour, so we walked around and took
pictures for a while—catching glimpses of the acres
of land under vine and feeling really good to be alive—before
heading to the winery. Like most places in Italy and
elsewhere, you have to have an appointment to expect
a tour, so we had to pass on that. It would have been
nice to see the winery, but we were content to go straight
to the wine shop, which was an extension of the winery
building and right below the administrative offices.
I wandered through the offices, where I spotted a photograph
of Teresa’s smiling face and other family snapshots.
The shop was nicely equipped with a computer station
(like the ones you find in bookstores) to reference
the entire current product line of wines, balsamic vinegars,
and olive oils for sale. We stayed at the shop for a
while, carefully selecting what we would take home.
I decided on a 1997 Rubesco, a sangiovese-canaiolo blend
that is one of Lungarotti’s trademark reds. I also picked
up a wine called Aurente, a chardonnay-grechetto blend
aged in oak; Torre di Giano, a deliciously fresh blend
of trebbiano and grechetto with yummy floral and lemony
flavors; San Giorgio, a blend of sangiovese, canaiolo,
and cabernet sauvignon; and 2 small bottles of Nocino,
a molasses-brown walnut liqueur produced by macerating
the still-green walnuts in pure alcohol for over a year
alternating between stainless steel and oak. (Lungarotti
grows walnuts too!)
|
 |
 |
| Vineyards in Torgiano |
Lungarotti winery |
 |
 |
| Breezeway at the winery |
Advertising their wares |
 |
| Museo del Vino in Torgiano
(wine museum) |
Terni
Terni has a population of just over a whopping 100,000
and has been Umbria’s industrial center since Italian
unification in 1861. It’s not the most attractive town,
especially compared with the beauty of the countryside
surrounding it, but it does have some lovely shops if
a bit of retail therapy is on your agenda. |
 |
| The relative hustle and
bustle of Terni |
Titignano
The teeny-tiny medieval village of Titignano is nestled
in the hills between Orvieto and Todi and surrounded by
2000 hectares (about 5000 acres) of woodland, vineyards,
and olive groves. It dominates the valley below with an
absolutely mesmerizing view of Lake Corbara. |
 |
 |
| This is practically the extent of Titignano! |
View of Lake Corbara from the village |
Montecastello di
Vibio
With a population is just under 2000, this is the home
of Teatro della Concordia, known as the smallest theatre
in the world. Built in 1808 under Napoleonic occupation,
it is a fully functioning theater with a mere 99 seats.
It was built so small to remain proportional to the size
of the town. Types of performances offered include operettas,
jazz, and dramatic works.
|
 |
 |
| Ancient city wall |
A typical street in Montecastello |
 |
| “The smallest theater
in the world” |
Deruta
Deruta, just south of Perugia and north of Todi, is known
the world over for its ceramiche maiolica (Majolica pottery),an
industry that has been central to the economy of the town
from its earliest days in pre-Roman times. I’d bet money
that I have the largest collection of Majolica in Atlanta
in my home. Mom used to own a shop here in the states
specializing in these such Italian imports and kept some
of the inventory when it closed. |
 |
| Main street with rows
of Majolica pottery workshops |
Spoleto
Spoleto sits on the terraced slopes of the Apennines,
at the end of a long, fertile valley. Now a town of about
38,000 people, Spoleto is known internationally as the
host of the Festival dei Due Mondi (Festival of the Two
Worlds), which is held every summer. The festival, founded
in 1958 by Italian-American composer Gian Carlo Menotti,
is perhaps the most important modern cultural event in
Umbria, bringing together talented musicians, dancers,
and visual artists from all over the world (www.spoletofestival.it).
Some of you may have heard of its American counterpart,
the Piccolo Spoleto Festival held annually in Charleston,
SC that also celebrates the arts. |
 |
 |
| Steps leading to more homes in Spoleto |
Romanesque-style Cathedral of Spoleto built at the end
of the 12th century |
Agriturismo San
Rocco
There is a type of hospitality known as agritourism
whereby guests can stay on farms and potentially assist
with various tasks. This phenomenon is especially popular
in Italy and, as one would imagine, the farms typically
include vineyards. One such spot is a property called
San Rocco, a stone’s throw from Mom’s house in Due Santi,
a tiny town whose name means “Two Saints.”
Mom and I stopped by one evening just to see if they
had a restaurant we could dine at during our visit,
but the gentleman who greeted us informed us that the
restaurant was a future project not yet undertaken.
He introduced himself as the husband of the owner of
the property and, after some excited inquiries on my
part, guided us to the tiny winery in the backyard area.
He offered us a taste of the batch of sangiovese being
produced, and we immediately recognized the tart cherry
character of the grape. It was so stalky and green,
not yet having enjoyed the maturation period necessary
to mellow out all the nuances of Umbria’s most commonly
planted black grape variety. (To learn more, they have
a lovely website: www.agriturismo-sanrocco.com).
|
Cantina Tudernum
Practically next door to Mom’s house (dubbed “La
Palazzetta”) is the Cantina Tudernum, which is the local
cooperative winery to which Mom will eventually sell her
grapes to be made into wine. Adjacent to the winery is
a small shop in the lobby area, equipped with the cashier’s
counter and a wooden table with several open bottles of
the Cantina’s wines: among others, single-varietal merlot,
cabernet sauvignon, grechetto, and chardonnay, and a Vinsanto-style
dessert wine. Naturally, there is also the Cantina’s own
olive oil, one of Umbria’s renowned agricultural products.
I met with a Mr. Settimi at the Cantina (I never did
catch his official title). I took notes while he explained
that Mom’s vineyard enters into the Colli Martani DOC
zone, encompassing an area from Todi up about 25 kilometers
to a town called Bettona. In essence grape-growers pay
their fee and become members of the Cantina. The Cantina
then buys their various grape varieties during specific
windows of time; for example, chardonnay grapes are
only accepted at the end of August while grechetto grapes
can only come in mid-September. Each grape is rated
according to healthiness, and a system similar to Brix
is used to measure the sugar content inside the grapes.
What he was saying was so interesting to me that I was
suddenly tempted to submit an application for employment
there.
|
 |
| Grapes
being dropped off at Cantina Tudernum |
| I don’t have to tell you I drank tons of
wine during my trip, but most of it was just everyday
mealtime wine made from the ubiquitous sangiovese for
the reds and trebbiano for the whites. Daily runs to the
Ipersidis supermarket down the street produced purchases
of value-priced Italian wines from various places, such
as a pinot nero from the Veneto and a table white from
Assisi. I made it a point, however, to get my lips around
a glass or two of one of Umbria’s stars: Sagrantino di
Montefalco. Sagrantino is the name of the grape variety,
and it produces tannic, inky reds that pack an unbelievable
savory-sweet punch. While packing for the trip home I
faced a Sophie’s Choice-style decision: with such a small
carry-on suitcase, which bottles would I take with me?
I ended up leaving the Lungarottis with Mom and brought
only three, and imagine this: all three are dessert wines
(what can I say, my sweet tooth extends to wine). They
all remain unopened in my wine rack, and as I have been
battling a cold all week, I refuse to taste them until
my senses are operating at full capacity again. When I
do, you’ll have the full report—so stay tuned for that!
Happy tasting! |
|
|
|
|